A vision of towering spires and intricate stonework, the Jakarta Cathedral, officially named Gereja Santa Perawan Maria Diangkat ke Surga (The Church of Our Lady of the Assumption), is a masterpiece of Neo-Gothic architecture.
Completed in 1901, its construction followed almost 70 years after Willemskerk (Immanuel Jakarta), owing to the Netherlands’ allegiance to Protestantism prior to the instalment of King Lodewijk I by Napolean — who was none other than the latter’s Catholic brother, Louis Bonaparte.
With its tallest spires towering at 60-metres high, and the building measuring 60-metres in length (with a cross-section 10-metres wide making a cross from above), the Jakarta Cathedral doesn’t only trump Immanuel in size, but also in its intricacy and elaborateness of design. The façade a maze of stone carvings, pointed arches and delicate stained-glass windows, framed by elaborate buttresses. Inside, soaring arches rise from the cathedral nave, up towards the high-vaulted ceiling of wooden panels.
Above the wooden pews, the second floor of the cathedral hosts the Jakarta Cathedral Museum, offering a glimpse into mass during its time under the Dutch East Indies, with some unique statues like a kebaya-wearing Mother Mary. The cathedral continues to inspire awe as the seat of the Roman Catholic Archbishop of Jakarta and a spiritual home among places of worship for thousands.
